![]() Essentially, through humour and frank conversations, Dick Johnson Is Dead embraces what the director refers to as “the act of turning toward things that are hard to handle, relinquishing control, and facing what happens at the end of our lives." It's unlike any other documentary out there. Together, they test out coffins, mock up elaborate violent accidents with stuntmen, and through some truly stunning slow motion scenes, hypothesise over what heaven might look like for Dick. In this surreal, darkly comedic, and deeply moving documentary, the Johnsons stage various “deaths” for Dick onscreen to help them cope with the looming, inevitable end. He said yes.” Filmmaker Kirsten Johnson makes this bold pitch as her father, Dick, moves toward the end of his life with dementia. I suggested we make a movie about him dying. 'Dick Johnson Is Dead' embraces what the director refers to as “the act of turning toward things that are hard to handle." Credit: netflix Where to watch: Netflix (opens in a new tab) 6. As Mashable’s Alexis Nedd put it, "It's a case study in the power of activism, a badly needed history lesson, and an invitation for viewers to assess the impact of spaces like Camp Jened - designed from the start to include." Premiered at Sundance and co-produced by Barack and Michelle Obama's Higher Ground Productions, Crip Camp follows the story of Camp Jened, an inclusive summer camp for young people with disabilities in the ‘50s and '60s, which left a lasting impact on the lives of those who attended - enough to lead many to steer the disability rights movement in the ‘70s.Ĭrip Camp was created by disability rights activist and Camp Jened attendee James LeBrecht alongside Emmy-winning documentary maker Nicole Newnham, and it traces the connection between the campers and the civil rights movement. Wild Wild CountryĬamp Jened left a lasting impact on its attendees. Where to watch: Netflix (opens in a new tab) 3. Taken from: The 10 best documentaries of 2020 so far ![]() The documentary, as writer Jen Richards says, gives a sense of a broader history of trans representation onscreen so trans people "can find themselves in it." There is hope, however, in how far we’ve come with the likes of Orange Is the New Black, Transparent, and Pose. "For decades, Hollywood has taught people how to react to trans people, and that is with fear,” explains GLAAD’s Nick Adams in the film. And with this disheartening analysis comes a discussion of the offscreen impact of that representation, with transgender people portrayed onscreen more often than not as a joke, someone to be feared, or someone who constantly experiences violence. And we've always been here."ĭisclosure takes a hard look at the representation of trans people on screen throughout history, which goes back way further than you might think. "For a very long time, the ways in which trans people have been represented onscreen have suggested that we're not real, have suggested that we're mentally ill, that we don't exist,” says Disclosure's executive producer and Orange Is the New Black star Laverne Cox.
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